On the way back HOME-- 2005/01/02-07 Paris>
Museum Days 博物館日
Paris is famous for its numerous, outstanding museums, including the most famous ones such as Musée du Louvre (羅浮宮), Musée D’orsay(奧塞美術館), Centre Culturel G. Pompidou (龐畢度美術館) and so on. For the Louvre and Musée D’orsay, due to my limited knowledge of art history, I mainly went there as “tourists,” giving only passing glances at particular things. Thinking on the other hand, people can never go through these places within a week’s or month’s time. I guess it depends on one’s own interests and perhaps professional needs. However, what I feel the most touching in these museums are the people scattered around-- the children sitting around the paintings and perceiving the famous works by their innocent eyes, and to see an old lady or a young man make sketches of sculptures or paintings on their scrapbooks. In those days, I was often wondering: what kind of cultural immersion would allow these people indulge themselves in the seemingly unrealistic world of art? What kind of culture and education they had to appreciate and learn among these treasures of the world? How did the atmosphere build up? These are rhetorical questions, yet more or less I felt that it is due to the long-term history of remaining their inherent culture and absorb outside influences. As time goes by, combining the traditions and new stimulants and eliminating the superfluous part, it presents its quintessence. (精華)
While I was in Centre George Pompidou, the celebrated modern art museum, I started to rethink about the importance of traditional and ancient things. It is strange to relate “traditions” with “avant-garde/ modern” exhibitions, is it? I found numerous modern creations in this museum that I cannot understand at all. For example, there is room with irregular order of different words from different languages. Or there is one side of wall painted gray and it s called “Gray.” Modern artists use so many different materials and ways to make their creations. Some of them seem awkward and hard to understand. Yet they carry something out of daily life materials. The question is: how do people distinguish them from arts to foolish acts? Where to find the meaning? It is just like the Absurd drama in the 20tth century which the characters are repeating the same sentences and meaningless actions in the plays. And interestingly, it presents the meaning that people do not need to search for meanings for everything in lives since it is most of the time meaningless. Coming back to the topic, how do people tell from art to fool? Without the basic principles accumulated by traditions, is it possible to create such a mess with meanings?
Too many questions that I need to think them over. Temporarily getting rid of these confusing questions, what impressed me the most are the sculptures and statues, which were created by a simple and concise mind, in Musée Rodin (羅丹美術館). Rodin’s works impressed me with its simplicity yet natural strength. The widely known “The Thinker,” sitting there, putting his right elbow on the left knee, contemplating. Frankly speaking, the figure is strangely set, but I did not feel it until I tried to imitate him later on. What I felt was the balance, as if he is the master of the world, considering the essence of the worldly affairs. His facial expression reveals the empathy and calmness with human beings. Being unusual at his time, Rodin preferred simple and direct cravings to exaggeratingly and luxuriously decorated arts. Observing his craving of “Hand,” one big hand comes out of purely white marble, stretches out, and naturally moves back, as if it’s alive. Simple and concise lines yet hold indescribable power! The simplest is the essence. Just like Rodin himself had insisted, doing the observation concisely and craving the simplest lines to directly present the most strength of life.
Interesting episodes
I spent the whole week in Paris and apart from the spots I mentioned above, there were also interesting interludes. I visited a cemetery in Clichy, surprisingly saw Zola’s (左拉) head sculpture with sharp and solemn eyesight, felt his concerns for the mankind. Walking along the Seine(塞納河) and enjoying the city sights. Having a cup of chocolate in a local café. Meeting excellent friends in the hostel, including my passionate Spanish roommate who is inviting me to her house in Madrid at the moment. Also the Italian friends who speak little English but strive to teach me how to say “thanks” and “you’re welcome” and the word for “you’re welcome” actually means “pray” as well in Italian. I remembered the words now but I certainly forgot how I realize that. Of course I won’t expect them to remember how to say “我們走吧”(here we go!) in Chinese. :p Last but not least, the delicious French FOOD: the simple soft crèpe, the plain baguette, the various kinds of cheese, the “strong” hot chocolate with added sugar and so on. Perhaps some day in the future, when I am having a cut-open baguette and put thick butter and jam on it, or intend to add sugar in my hot chocolate, I will remember that I was once “living” in Paris, France, Europe.
On the way home
I came to Paris as a homeless child with confusions about life. The wander in Paris stirred up many questions. On my way back home, I happened to meet a maturer wanderer, a musician and composer who roves around the world, and discussed about these experiences. We talked a lot but I remembered merely one sentence, since it greatly shocked me, “You cannot merely speak about ‘experiencing culture’ in Europe. During these trips and in your currant life, you must find the direction, according to your core value.” This might be cliché, which everyone is able to say, but cliché works when it appears at the right moment. I realized that the wander couldn’t be fooling around; instead I have to find meanings based on my own intrinsic values even though the surrounding trifles might be meaningless.
I am on the way back home.
Recorded/Feb. 12th. 2005